Circumstantial evidence concerning Chaucer and Cecilia, his accuser, appears to add up to his guilt and her benefiting from a substantial monetary settlement. We'll never have conclusive evidence so I, for one, go along with the guilt/settlement scenario.
Then there is the matter of Chaucer addressing "little Lewis, my son." The boy is ten years old, ten years after the raptus case. Lewis could be Chaucer's son by Cecilia. And, recall that in fourteenth-century thinking, if pregnancy results from coitus, cooperation is assumed. So, if Cecilia finds herself pregnant, wouldn't she examine her participation? Wouldn't she conclude that she must have been willing to some degree?
What I'm getting at is that a relationship between Cecilia and Chaucer could have existed. Because Chaucer's wife's pension ceased after June 1387, her death is assumed. That's four years before Lewis' tenth birthday. Circumstances make a Geoffrey/Cecilia relationship possible.
A firm connection clearly exists between Chaucer and the name "Cecilia." One of the pilgrim stories--The Second Nun's Tale--recounts the life of St. Cecilia. Chaucer scholar, George Cowling, long ago, proposed that the "Life of St. Cecile" was meant to honor Cecilia Chaumpaigne. It may be more than honoring her; she may have required it from the poet. She may have wanted the assault upon her admitted, and Chaucer's repentance acknowledged. (Her patron, St. Cecilia, brought many men to conversion.) I believe Chaucer covertly confirms such requirements!
This blog aims to question long-held assumptions. We'll look at Chaucer's words as if he really meant what others have taken to be errors.
Speculation says that the Cecilia piece had been written for another occasion and the poet simply included it in the Tales. If he did so without adapting the original presentation, that explains a lot. For example, why the usual formula that introduces other tales is not used; why the narrator surprisingly addresses "you who read what I write"; why the speaker refers to being "an unworthy son of Eve"; and why the sinful "contagion of my body with earthly lust and false affection"--rather than spoken by a narrating nun--now becomes appropriate.
There is no invitation from the Host, followed by a story and a conclusion linked to the next tale. Nevertheless, Cecilia's story was meant to be there, because the very next tale begins, "When the life of St. Cecilia was ended, Ere we'd ridden five miles . . ."
The Second Nun's Tale begins with an exhortation against idleness, the devil's trap. A prayer to the Virgin, for her assistance, follows. Then the translation of the story of St. Cecilia, as found in The Golden Legend (a collection of saint's lives), begins.
Though it's easy to overlook, Chaucer attaches an extra stanza to conclude the translated introduction. Why the added lines that only reiterate Cecilia's virtues? The answer is what makes research so exciting. The last line masks a hidden meaning! That Middle English line reads:
Now have I yow declared what she highte.
"Highte" contains two different messages. The line can be read, "I have declared to you what she was named." That's just more repetition.
But Chaucer uses an alternate definition of "highte" elsewhere to say "command." Here his added words announce, "I have declared to you what she commanded." The preliminaries to the tale declare, I am the sinful one; she is persevering in good works. Thus, he has fulfilled her demand.
Without doubt, Chaucer has immortalized Cecilia. Her name will be remembered as long as the Canterbury Tales circulate.
Showing posts with label evidence. Show all posts
Showing posts with label evidence. Show all posts
Thursday, June 27, 2013
Thursday, May 23, 2013
Chaucer's day in court
A document dated May 1, 1380 states that a woman had named Geoffrey Chaucer regarding raptus. That discovery has caused speculation for over 100 years. The subject is not often spoken of, but it still surprised me that the Chaucer entry for the 1968 Britannica refrained from a hint of it. The 1996 Britannica edition devotes two sentences to the topic and suggests Chaucer was not guilty.
Chaucer scholars hesitate to admit that this brilliant poet could have had dark moments. Many have gone to great lengths to sidestep reality. A "vicious imagination," for example, is claimed necessary to see Chaucer causing a lady's ruination. A biographer declares our poet a "hero" of the affair. Some portray him merely as an accessory, or actually doing the lady a favor because her guardian mismanaged her affairs, or a friend of Chaucer wanted to marry her and couldn't get her guardian's permission.
These scenarios are, according to P. R. Watts a lawyer/researcher in 1947, "entirely unsupported by evidence." To the contrary, he finds that none could be true because the lady was an adult, not someone's young ward. And, to have finances to mismanage would be unlikely because her brother was in prison for debt.
Watts informs us about the medieval use of raptus, and the intention and substance of an appeal, along with how the fourteenth century dealt with felonious rape. Before a statute of 1285, raptus could mean either the abduction or deflowering of a woman. But afterward, raptus is always to be interpreted as rape (forced coitus), unless circumstances disallow it.
The second term, appeal, is a problem because the meaning is at odds with what generally comes to our mind. Back then, to appeal meant to accuse, to bring a criminal charge against another person. It was an appeal for justice, for a wrongdoer to be punished.
And did the punishment fit the crime? If unmarried, the man might take the lady as his spouse to satisfy the charges. Watts, however, cites a case from Chaucer's era to illustrate another possibility: A woman named Alice accused a man named John of having ravished her virginity. Although John claimed innocence, he was found guilty. John had a wife, so marriage could not resolve the problem. Fortunately for John, Alice withdrew her appeal, because, by the judgment handed down, Alice was to "tear out John's eyes and cut off his testicles."
Chaucer's position at court (his favor with the king) would not protect him, because the king had no jurisdiction in cases between two citizens, rather than against the crown.
Before DNA, many a man learned that defense against the charge of rape is difficult. As an additional difficulty, medieval law did not allow the accused to give evidence on his own behalf.
It may look like the man is given a hard time in such a case. But wait. You haven't heard what's demanded of the woman to get recognition in a court of law.
Chaucer scholars hesitate to admit that this brilliant poet could have had dark moments. Many have gone to great lengths to sidestep reality. A "vicious imagination," for example, is claimed necessary to see Chaucer causing a lady's ruination. A biographer declares our poet a "hero" of the affair. Some portray him merely as an accessory, or actually doing the lady a favor because her guardian mismanaged her affairs, or a friend of Chaucer wanted to marry her and couldn't get her guardian's permission.
These scenarios are, according to P. R. Watts a lawyer/researcher in 1947, "entirely unsupported by evidence." To the contrary, he finds that none could be true because the lady was an adult, not someone's young ward. And, to have finances to mismanage would be unlikely because her brother was in prison for debt.
Watts informs us about the medieval use of raptus, and the intention and substance of an appeal, along with how the fourteenth century dealt with felonious rape. Before a statute of 1285, raptus could mean either the abduction or deflowering of a woman. But afterward, raptus is always to be interpreted as rape (forced coitus), unless circumstances disallow it.
The second term, appeal, is a problem because the meaning is at odds with what generally comes to our mind. Back then, to appeal meant to accuse, to bring a criminal charge against another person. It was an appeal for justice, for a wrongdoer to be punished.
And did the punishment fit the crime? If unmarried, the man might take the lady as his spouse to satisfy the charges. Watts, however, cites a case from Chaucer's era to illustrate another possibility: A woman named Alice accused a man named John of having ravished her virginity. Although John claimed innocence, he was found guilty. John had a wife, so marriage could not resolve the problem. Fortunately for John, Alice withdrew her appeal, because, by the judgment handed down, Alice was to "tear out John's eyes and cut off his testicles."
Chaucer's position at court (his favor with the king) would not protect him, because the king had no jurisdiction in cases between two citizens, rather than against the crown.
Before DNA, many a man learned that defense against the charge of rape is difficult. As an additional difficulty, medieval law did not allow the accused to give evidence on his own behalf.
It may look like the man is given a hard time in such a case. But wait. You haven't heard what's demanded of the woman to get recognition in a court of law.
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